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The Marine Art of Jack Woods

About this site

This website is gradually being developed to display some of my paintings and particularly those related to the smaller yachts of earlier years which have travelled on long voyages to remote parts of the world. Wherever possible I have included details about the yachts and their sailors, as well as references to related books, so that you can share some of the history and challenges of these voyages. In addition, for a few of the paintings, I have shown details on the techniques used in developing the painting.

As I expand the site I plan to include details on any paintings or prints that may be available for sale, but for the present I will concentrate on sharing photos of the paintings and history and I hope that you find this of interest.

Any comments about the site would be most welcome, and particularly any information on the history, or whereabouts of the yachts or crew - please email me at sea.painting@gmail.com

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About the artist

Member of the International Society of Marine Painters
Signature Member of the Australian Society of Marine Artists
Member of the Australian Guild of Realist Artists

I have always been interested in boats and the water. In my early years I helped my father with the maintenance of his small motor boat and during my teenage years sailed in a variety of dinghies including Sabots, Moths, Gwen 12s and OK Dinghies on Albert Park Lake and Port Phillip Bay.

The time that really gave me a feel for the sea was in the 1970s when with three others, I shared in the purchase of a beautiful traditional wooden ketch, learnt celestial navigation and spent six months sailing from Melbourne to Sydney, then to Lord Howe Island before continuing to Noumea and south to Norfolk Island and New Zealand. The preparations for this trip included reading many books about small boat cruising including those of Eric and Susan Hiscock, Joshua Slocum's voyage in Spray, and those of other long voyages in well founded small yachts. This trip gave me a feeling of great respect for the changing moods and the power of the sea.

It was also during this period that I started building some models of yachts and dabbled in the odd marine drawing. In the intervening years I have built a number of small model yachts including replicas of the Spray, the Tumlaren class, the beautiful 'J' boats as well as the old fishing smacks, and over the past fifteen years I have spent more time working to portray some of these craft in paintings.

Although my business career limited my time to pursue these other activities, it did give me the opportunity to visit many art galleries around the world and to view the originals and study the painting techniques of many marine artists including Thomas Hoyne III, John Stobart, Winslow Homer and Montague Dawson. One of the most impressive exhibitions I attended was at the Royal Exchange Art Gallery in London with a display of a large number of Frank Wagner's paintings of superbly detailed and lively views of yachts of the early 1900s.

My paintings are mainly in acrylic or oil, and cover a range of scenes from the beautiful America's Cup yachts to the small sailing dinghies of current times, as well as seascapes in which I try to depict the many moods of the water. A particular theme that I am specialising in is the early small cruising yachts that ventured thousands of miles across the oceans, before the advent of all the modern technology, with owners who either sailed solo or with a minimal crew. Before painting these yachts I read the books of their voyages, study the yacht's lines, and other intimate details of the rigging and fittings. By the end of the painting I feel that I am also aboard the vessel and experiencing part of the voyage with the air whistling in the rigging, the spray in the air, and the warmth of the early morning sun taking effect after a cold night on watch….

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About the paintings

These marine paintings generally fall into three categories.

Firstly the adventure sailors where the paintings are based on historical research of a wide range of material and whenever possible from discussions with people who had some connection to the event being depicted. Historical photos and sketches are used as a reference for the final work.

The next group of paintings are those which relate to my own experience with a broad reference to current subjects and sketches, or historical information, including photos, which I have taken over the years.

The final group are a small number of paintings based primarily on one or two historical photographs which I will have credited after the painting description.

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